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Thirty-fourth Issue
Volume 14, No. 2

..where to find the mrb

The Mrb Is Available At The Following Locations:


By Eric Boodman

The Anatomy Of Clay
By Abby Paige

They Fight Like Soldiers, They Die Like Children / Mobilizing The Will To Intervene: Leadership To Prevent Mass Atrocities
By Aparna Sanyal


Bats Or Swallows
Reviewed by Taylor Tower

Lives: Whole And Otherwise
Reviewed by Rosel Kim

Reviewed by Kimberly Bourgeois

Spat The Dummy
Reviewed by Ian McGillis

The Obituary
Reviewed by Anna Leventhal

Three Deaths
Reviewed by Rob Sherren


Bad Animals: A Father’s Accidental Education In Autism
Reviewed by Leila Marshy

Making Waves: The Continuing Portuguese Adventure
Reviewed by Joni Dufour

The Republic Of Therapy
Reviewed by Sarah Fletcher

Writing In The Time Of Nationalism: From Two Solitudes To Blue Metropolis
Reviewed by Gregory J. Reid

You Could Lose An Eye: My First 80 Years In Montreal
Reviewed by Joel Yanofsky

non-fiction at a glance

Eeyou Istchee: Land Of The Cree/terre Des Cris
Reviewed by Carol Katz

The Origin Of A Person
Reviewed by Prosenjit Dey Chaudhury


Blood Is Blood
Reviewed by Bert Almon

Hard Feelings
Reviewed by Bert Almon

Poets And Killers
Reviewed by Bert Almon

Song Of The Taxidermist
Reviewed by Bert Almon

The Collected Books Of Artie Gold
Reviewed by Bert Almon

The Truth Of Houses
Reviewed by Bert Almon

Where We Might Have Been
Reviewed by Bert Almon

the mile end café

The October Crisis, 1970 An Insider’s View/trudeau's Darkest Hour, War Measures In Time Of Peace, October 1970
Reviewed by Mélanie Grondin

the mrb cartoon

Image By Jean-philippe Marcotte

young readers

Captured: The Divided Realms Series, Book 1
Reviewed by Andrea Belcham

Into The Mist: The Story Of The Empress Of Ireland
Reviewed by Andrea Belcham

Milo: Sticky Notes And Brain Freeze
Reviewed by Andrea Belcham

Noni Says No
Reviewed by Andrea Belcham

Raffi’s New Friend
Reviewed by Andrea Belcham

Scaredy Squirrel Has A Birthday Party
Reviewed by Andrea Belcham

Today, Maybe
Reviewed by Andrea Belcham

Without You
Reviewed by Andrea Belcham

Blood Is Blood
Endre Farkas And Carolyn Marie Souaid
paper 48 pp.
Signature Edition ISBN 1897109466

Blood is Blood

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New Document Endre Farkas and Carolyn Marie Souaid have prepared a DVD and book that remind us that Arabs and Jews are both Semites, and that, as in the Yin and Yang symbol, each zone of interacting black or white has a dot of the opposite colour at the heart of it. Farkas is a Hungarian immigrant, the child of Holocaust survivors. Souaid has Lebanese Arab ancestry – Christian rather than Muslim. Their work juxtaposes a series of statements by “Jew” with statements by “Arab,” printed on facing pages and exploiting parallelism and contrast. The best pair of statements contrasts the Jew’s ideas for whimsical Passover games (use marshmallows to simulate the Plague of Hail!) with a long list of Wartime Emergency Provisions by the Arab. The horror of stockpiling for war reminds us of the emergency that Passover commemorates: how deeply conflict is embedded in the Middle East. Vituperation and recriminations eventually give way to statements of love (treasonous though they might be, ideologically) and to a celebration of Arab and Jew sitting on their balconies and enjoying the same evening, something like the Biblical image of Everyman sitting under his own fig tree.

The real impact of the work is in the “video-poem” on the DVD, which the reader should play before reading the book. Shot mostly in black and white by the talented videographer Martin Reisch, the film provides a backdrop of relevant images as the poets read the text. There is an informative website for the project at

The poem ends ambiguously with en face lines that say, “Let us take an eye for an eye till everyone is blind,” which is perhaps a variation on the saying attributed to Mahatma Gandhi, “an eye for an eye leaves everyone blind.” Souaid and Farkas provide us with a grim reminder of vengeful elements in Mosaic and Sharia law, but they also imply that revenge might exhaust itself into tolerance, that survivors might become blind to differences.

Bert Almon teaches a poetry masterclass with Derek Walcott at the University of Alberta. His most recent book is Waiting for the Gulf Stream (Hagios Press).